Chinese Democracy!

Finally, the long waited album has come! The long anticipated album has made a lot of response. Well most of them are dissatisfied with the album. Here it goes.



Track 3: IRS
This is a really good song. Like this could sneak into a GnR Greatest Hits album and no one would notice. It starts with a sweet little wail about how a woman has changed to be no good. Then, to resolve this matter, he says he's "gonna call the President/ gonna call a private eye/ gonna get the IRS/ gonna need the FBI," which I can't get out of my head. It interrupts its super-rockingness with little bits of mellowness to keep me interested, and then some weird named guitarist rocks out and Axl's right back to calling the President. I play this all the time. I would love it a lot more if some band that wasn't heavy metal played it. Grade: A+

Overall grade: B+

http://www.time.com/time/arts/article/0,8599,1818247,00.html


Most of these songs also go through multiple U-turns in personality, as if Rose kept trying new approaches to a hook or a bridge and then decided, "What the hell, they're all cool." "Better" starts with what sounds like hip-hop voicemail — severely pinched guitar, drum machine and a near-falsetto Rose ("No one ever told me when/I was alone/They just thought I'd know better") — before blowing up into vintage Sunset Strip wallop. "If the World" has Buckethead plucking acoustic Spanish guitar over a blaxploitation-film groove, while Rose shows that he still holds a long-breath vowel — part torture victim, part screaming jet — like no other rock singer.

http://www.rollingstone.com/reviews/album/24024297/review/24161281/chinese_democracy



And the verdict? Mixed! Gone is the Sunset Strip guitar grime of Appetite for Destruction, replaced by an army of ProTools-packing shredders, three ''digital editors,'' and a dude responsible for choral arrangements. This is unapologetically huge music, not fit for tiny iPod earbuds. At times it's possible to hear the world-changing CD that Rose — whose banshee howl remains gloriously intact — must have had in his tightly braided skull all these years. The blistering ''Shackler's Revenge'' rides a sinister riff to headbanging heaven, while the piano-heavy ''Catcher in the Rye'' showcases GN'R at their '70s-aping stadium best. But too often quantity gets in the way of quality: No rock cliché from the last decade goes unrepresented (hip-hop loops, nü-metal skronk), and did ''Madagascar'' really need a horn section and Martin Luther King Jr. samples?


http://www.ew.com/ew/article/0,,20241280,00.html



Well, i don't know what's for me... I haven't buy the album... Is it already in the local stores?